The crew of the Cleveland steampunk group the
Airship Archon were planning to have a photoshoot with the guys from
The Enthusiasts at
Ohayocon. Initially, it was going to be on Saturday but it got shifted to sometime Sunday. And then it got shifted from the morning to the afternoon.
I wanted to participate because The Enthusiasts had taken some very nice
pictures of me at Windycon but I wasn't planning on spending more than a day at the con and I wasn't trying to get a hotel room. I kept sending emails to the list hoping to get a firm answer as to what was going on. When would the photo shoot be? Would it just be in the hallway somwehere or was there a place elsewhere in Columbus, someplace with a Victorian flair, that people would go?
I received no answer.
So, I decided that I would go on Saturday, instead. That way I would be able to actually participate in the bulk of the con activities. If I could find some crash space for the night, I could stay to Sunday and the photoshoot but otherwise I was only going to make a day of it.
The con was absolutely packed. I was there at 9:45 and the registration line was nearly an hour long.Three hours later and the line was even longer, having doubled back upon itself. I've been to
Marcon numerous times in the same venue and this was easily twice as large. An attendee later told me that last year's Ohayocon had 8,500.
That many people means a lot of continuous traffic. Every corner was occupied and most of them were on their way somewhere else. This made it nearly impossible to find a quiet place to get out of things and have a conversation or even just sit and take a break.
I took flyers for
Confluence and found that the con did not have a freebie table. In fact, the people at the con information desk didn't even know what a freebie table was. I had noticed something similar at
Tekkoshocon where I had to leave flyers scattered about the con on whatever flat surface I could find. Is there something about anime cons that don't think to have a space for all the other cons to advertise? Certainly there is plenty of crossover as I saw plenty of costumes besides just those from Japanese media. There were, of course, a few of us steampunks. There were also a few Imperial Stormtroopers including the authentically tall guy that I've seen before as Vader at Marcon. One guy had a very nice Halo Master Chief outfit. A Fourth Doctor was dragging around a K-9 on a leash and I saw one person with a Dalek hat. The Joker and Harley Quinn. A few Browncoats. A handful of furries. Some pirates. A pair of guys were dressed up as Mythbusters Adam Savage and Jamie Hyneman. Lots of people from the broader sci-fi community attend anime cons and I'm sure anime people swing the other way as well.
I should mention to the guys at Tekko to find a place for flyers. I talked to them at their table and said that I was going to send them a check for prereg when I next got paid but forgot to mention the freebie table.
Even though I was walking around with a big ass pistol on my belt, security seemed most concerned about my cane, afraid that I might whack someone with it. This seems somewhat odd in that a huge number of people were carrying things that were even more dangerous. Swords bigger than they are. Scythes and other assorted weapons with pointy bits sticking out all over the place. Bokken tucked into belts such that walking in crowded hallways will be catching on any sort of clothing. My cane was the least of their problems.
Except that my cane has a sword blade inside it.
Not that I opened it up or ever intended on drawing it, even to show someone else in a controlled setting. But security's concern was with the whackability of it. The were concerned that I might bludgeon someone with it. I need to make a new cane that doesn't have a blade inside it so that I don't have to lie to con security. I already have some design ideas for one that will have moving parts. What is the smallest battery-powered air pump I can find?
Of course, that can would probably end up being even more capable of concaving someone's skull. But, at least it wouldn't have a sword blade concealed within.
There were a number of steampunk panels and when I walked in on the first I "won." That is, I was held up as a most excellent example of the genre. One of the panelists said that I made them look like noobs.There were a few questions that came up that I wanted to answer but I did not have the details. Now that I am home and in front of my PC, I can look them up.
Someone asked about a steampunk lexicon. In developing a persona, one wants to use period language and the person was asking about if such a resource was available. Here are a few from my bookmark list:
A 19th Century Slang DictionaryHow to Speak 19th CenturyThe Victorian DictionaryFor the most part, I absorbed my pseudo-Victorian writing style and con-speak from reading the works of period writers;
Jules Verne,
H.G. Wells,
H. Rider Haggard,
Arthur Conan Doyle. These were the writers I read when I was just starting to read a lot and their use of the language influenced me greatly, even to the point of having my English teachers think that I had gotten someone else to write my assignments because it did not sound like what they were used to. Another resource is to read period newspapers or, really, anything written at the time. It's easier to absorb a method of writing or speaking from people using the language rather than trying to use a glossary and merely substitute "balderdash" for every instance of "bullshit."
Someone mentioned looking at period advertising for language ideas and I didn't have the link for a terrific blog called
Advertising for Love, which features period personal ads. There are also newspaper excerpts to be found at
The Hope Chest.
The steampunk panels were interesting enough for novices, I suppose, but I am looking forward to attending the dedicated steampunk cons the
World Steam Expo and the
Steampunk World's Fair. I'm expecting that the panels there will be a little more meaty. I've been thinking I should develop some presentations on the subject. Perhaps a history and analysis of H.G. Wells'
"The War of the Worlds".
Phil Klass did a presentation a number of years ago at a local meeting, I wish I had recorded it. Even so, I have enough material I should be able to put together a worthy presentation.
I spoke with a number of crew from the Archon about my situation, mentioning that if I could find a place to crash for the night I could participate in the photoshoot on Sunday but that, otherwise, I'd be driving back to Pittsburgh that evening. I had hoped that this was subtle enough to get an offer of crash space but no one seemed to pick up on it. Perhaps it was too subtle. I ran into the photographer from The Enthusiasts early in the day. He recognized me and said that, while he was busy right then, if I wasn't going to be at the Sunday shoot hew woulod try to get ahold of me in the hallway sometime during the day to get some pictures of me. I told him that I would be around all day.
He never found me again.
DeathCom Multimedia is another group of pro photographers who set up studios at cons. I've seen them at Tekkoshocon but I hadn't yet taken them up on their portraiture offers, mostly because I didn't want to pay for it. My interest in having good pictures of myself has changed so I stood in the line and had some pictures taken. They took perhaps ten pictures, of which only two came out. The others had numerous things wrong with them; I was leaning too far forward so at to look awkward, my suspenders were showing beneath my vest, the foreshortened gun was out of focus. They were taking a lot of pictures and rolling through customers pretty quick so I probably could have gone back to have those particular shots perfected but I simply paid my $14 for the two that came out from the one set and left it at that. I expect to see them again at Tekko if I want to try again.
While standing in line waiting to see my pictures, an older gentleman walked up to me and asked about my pistol. This lead to a conversation about what the con was all about. He was apparently a nearby resident who will come by on weekends to see what is going on, randomly dropping in on conventions to meet and talk to people.
I got to explain why everyone was dressed up. What anime is. The history of Japanese animation. How the Japanese media industry differs from the American media industry. Some people standing in line were also impressed by my knowledge and and ability to present that information. They even learned a thing or two.
I really need to tool up to be a panelist at these things.
And while I was able to speak extemporaneously and convincing to someone who doesn't know anything about anime, I could identify about a tenth of the cosplay I saw in the hallways.
I made a few passes through the dealer's room. It was packed, of course. Difficult to move. I was looking for either the
"Emma: A Victorian Romance" complete manga or the soundtrack. I didn't hold much hope for either and the best I could come up with was issues 3 and 4 or the manga. I didn't get them because on e-Bay I saw someone who had the complete 10-issue set for $88. I had sent him an email and he intends to relist soon so I'll probably be getting those. I've found the soundracks on torrent but no one has seeded them so I can't download them and I'm not willing to pay $50+ for an import CD online.
I made a few runs through the artist's alley, right in front of the dealer's room, in search of an artist to do my portrait. I thought it would be neat to have an anime interpretation of my persona. I had a number of artists to choose from, at varying prices and styles, and I settled on giving my $10 to Leanne Preacy of
Chi Studios.

Buwahahahahaha! When I laughed, the artist wasn't sure how to take it. I assured her that I loved it.
Is my hair really that gray?
I braved the absolutely packed food court because I hadn't eaten anything since having a donuts after getting gas as I got under way at 6 in the morning.
I was going to stick around for
Jonathan Coulton's concert but the line stretched on forever. I figured I had seen him in Pittsburgh not long ago so I could stand not to see him this time. At about that time I decided to leave the con and start the three hour drive home. What with the still wall-to-wall people in the hallways and still being stopped for pictures, it still took me an hour to finally get out of the con.
I won't be going back. The Columbus Convention Center simply isn't enough room for that many people. At least, not for me being in amongst that many people.